Bendito Machine III from Zumbakamera on Vimeo.
Aztec shadow-puppets discover television. No.3 of a proposed 10-part series. Whatever would Lotte Reiniger think? See also: The Fantastic World of Fantástico Morales – ‘a man with a strange nasal fluid powers’.
www.benditomachine.com
Today we went for a curry in the Big Bulls Head with artist and animator Ian Emes. He is best known for creating the visuals for Pink Floyd’s Dark Side of the Moon tour, but his jumbled CV also includes Oscar-nominated short Goodie Two Shoes, Comic Strip film The Yob with Keith Allen and most recently kids TV series Bookaboo. Ian grew up in Erdington and studied at Birmingham College of Art where he was turned on to the likes of Oskar Fischinger. It was matinee encounters with Flash Gordon at the Odeon Kingstanding – one of the stars of our recent bus tour – which turned him into a filmmaker. Look out for a selection of his work as part of a 70s show at Ikon Gallery this summer.
Apparently this was somebody’s AS level art project:
[via @AnimateProjects]
The usual pre-Flatpack tumbleweed on this blog. Just posted a brief summary of what you can expect in the festival over here – full details online in a fortnight.
Endless film-hunting for Flatpack at the moment, and this was a nice smack in the face this afternoon. (Gracias to Cartoon Brew.)
As usual at this time of year our blogging and listings have tailed off horribly. If we weren’t so distracted we’d be telling you about stuff like the Endless Supply film screening in Digbeth tomorrow, or maybe even our own gig on Sunday.
Hitching a ride with the Travelling Picture Show throughout the summer, animator Claire Evans has been making a ‘chain-film’ with young people all over the Midlands. Here’s a silent extract from the Hereford bit; the full film complete with spooky soundtrack will be showing at our gala finale on Sunday.
magic box hereford from themagicbox on Vimeo.
At the Roxy on Monday we are sharing film-picking duties with Electric Sheep magazine. Here is one of their choices, a gorgeous 360° animation directed by Martina Stiftinger.
Onde Sonore from design.hagenberg on Vimeo.
Here’s another film showing at the Roxy on the 19th. An Aussie production created entirely in Photoshop, and featuring the inimitable voice stylings of Mr Nick Cave.
The Cat Piano from PRA on Vimeo.
Another good tipoff from Chris Plant.
Ginger beards and chunky pixels are temporarily back in vogue, with BBC4 drama Micro Men taking a satirical look at the early-80s computer wars between Sinclair and Acorn. Longtime 7inch viewers will know that ZX Spectrum Orchestra have been inhabiting this hand-coded world for many years, showing steely levels of commitment which go way beyond retro kitsch to create electro tunes and perfectly-formed animations on the most rudimentary processors. We took them to Norwich in a minibus a couple of years ago and it was a joy to see them getting mobbed by Sinclair fans at the end of the show. At our forthcoming event in London you can enjoy a brief 20Kb-sized retrospective of some of their finest film moments, including the premiere of new piece Alpha Omega.
In his background notes animator Mike Johnston describes the film’s origins in the theories of mathematician Gregory Chaitin and a recurring dream about a ghost-ferry (which reminds me of the railway in Spirited Away). He also confesses that he has finally made the leap from working on an actual Spectrum to an emulator on his laptop.
Another short from the Travelling Picture Show programme, made as a graduation film at CalArts by Nicole Mitchell. This one is part of Fantastic Planet, and always goes down well.
Our favourite short film review so far (not of the above) was: ‘Boring and weird and funny and sad’. All in ten minutes!
The Travelling Picture Show kicks off in Lichfield today. (I’m not there but apparently it’s going very well.) One of the most consistently popular films in the programme is a fifty year-old French short with hardly any dialogue about a boy and his balloon, and even if you haven’t seen it there’s a good chance you’ve come across something influenced by it.
For a start there’s a Juliette Binoche film and a stage production, and note the multicoloured balloon clusters currently floating about in Pixar’s Up and Sofia Coppola’s Dior ad. These films celebrate the feelgood side of The Red Balloon – if you want the brutal underbelly check out the Don Hertzfeldt cartoon Billy’s Balloon. Decidedly not for kids.
