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posted by: Ian on:
December 9, 2009 @ 10:46 pm
Endless film-hunting for Flatpack at the moment, and this was a nice smack in the face this afternoon. (Gracias to Cartoon Brew.)
As usual at this time of year our blogging and listings have tailed off horribly. If we weren’t so distracted we’d be telling you about stuff like the Endless Supply film screening in Digbeth tomorrow, or maybe even our own gig on Sunday.
posted by: Ian on:
October 21, 2009 @ 5:28 pm
Hitching a ride with the Travelling Picture Show throughout the summer, animator Claire Evans has been making a ‘chain-film’ with young people all over the Midlands. Here’s a silent extract from the Hereford bit; the full film complete with spooky soundtrack will be showing at our gala finale on Sunday.
At the Roxy on Monday we are sharing film-picking duties with Electric Sheep magazine. Here is one of their choices, a gorgeous 360° animation directed by Martina Stiftinger.
Here’s another film showing at the Roxy on the 19th. An Aussie production created entirely in Photoshop, and featuring the inimitable voice stylings of Mr Nick Cave.
Ginger beards and chunky pixels are temporarily back in vogue, with BBC4 drama Micro Men taking a satirical look at the early-80s computer wars between Sinclair and Acorn. Longtime 7inch viewers will know that ZX Spectrum Orchestra have been inhabiting this hand-coded world for many years, showing steely levels of commitment which go way beyond retro kitsch to create electro tunes and perfectly-formed animations on the most rudimentary processors. We took them to Norwich in a minibus a couple of years ago and it was a joy to see them getting mobbed by Sinclair fans at the end of the show. At our forthcoming event in London you can enjoy a brief 20Kb-sized retrospective of some of their finest film moments, including the premiere of new piece Alpha Omega.
In his background notes animator Mike Johnston describes the film’s origins in the theories of mathematician Gregory Chaitin and a recurring dream about a ghost-ferry (which reminds me of the railway in Spirited Away). He also confesses that he has finally made the leap from working on an actual Spectrum to an emulator on his laptop.
posted by: Ian on:
July 22, 2009 @ 11:34 am
Another short from the Travelling Picture Show programme, made as a graduation film at CalArts by Nicole Mitchell. This one is part of Fantastic Planet, and always goes down well.
Our favourite short film review so far (not of the above) was: ‘Boring and weird and funny and sad’. All in ten minutes!
posted by: Ian on:
July 18, 2009 @ 12:44 pm
The Travelling Picture Show kicks off in Lichfield today. (I’m not there but apparently it’s going very well.) One of the most consistently popular films in the programme is a fifty year-old French short with hardly any dialogue about a boy and his balloon, and even if you haven’t seen it there’s a good chance you’ve come across something influenced by it.
For a start there’s a Juliette Binoche film and a stage production, and note the multicoloured balloon clusters currently floating about in Pixar’s Up and Sofia Coppola’s Dior ad. These films celebrate the feelgood side of The Red Balloon – if you want the brutal underbelly check out the Don Hertzfeldt cartoon Billy’s Balloon. Decidedly not for kids.
posted by: Ian on:
July 8, 2009 @ 12:56 pm
Here’s another short film from the Travelling Picture Show programme, for anyone with noisy neighbours. This went down particularly well in the Shift_Time tent this weekend, and my two year-old son has become hopelessly addicted to the little mole.
[Wikipedia entry.]
posted by: Ian on:
June 17, 2009 @ 12:27 pm
In the run-up to the launch of the Travelling Picture Show tour next month, I thought I’d start posting some of the featured shorts. This cubicle romance was nominated for an Oscar this year, and you might remember the director Konstantin Bronzit from his brilliant short Au Bout du Monde.
posted by: Ian on:
January 15, 2009 @ 10:07 am
Cardboard dog on keyboards. 3 minutes of joy.
Better version here, via antville.
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Birmingham-based cultural historians, purveyors of distinctive film events and producers of the Flatpack Festival.