The Bioscope is a font of useful information on silent cinema, delving comprehensively into neglected corners while also alert to new developments and events. It’s run by Luke McKernan, Moving Image Curator at the British Museum. Having not visited for ages here are some of the things I caught up with today…

> A tasty-looking silents festival in Berlin which kicks off tomorrow;

> The extended Metropolis is on at the BFI next month, as well as various archive events as part of the Long Live Film season;

>A potted history of football in silent film;
>A Muybridge exhibition coming to the Tate in September;

And most excitingly, news of the Strobotop Lightphase Animator, a hand-held optical gizmo which works along the same lines as Jim Le Fevre’s Phonotrope. The Strobotop was designed by Rufus Butler Seder – he also created the ingenious Scanimation books – and if I don’t restrain myself I’ll end up ordering at least 10 as presents.

Being fans of pre-cinema gadgetry and well-stocked with civic pride, we were delighted to discover yesterday that Birmingham is the birthplace of the flipbook. Well, that’s stretching the truth slightly; people had been flicking sheets of paper in quick succession to make moving pictures since at least the 18th century, but it wasn’t until 1868 that someone thought to patent the idea. That someone was John Barnes Linnett, a lithograph printer based in Smithfield St near the Bull Ring (or BullRing, as they like to call it nowadays). He called this ‘device’ the Kineograph, and the picture above is from his patent which can be found in Birmingham Central Library. Linnett apparently died young from pneumonia, contracted while taking photographs in Wales, and his wife sold the patent to an American. A classic Birmingham tale…

Big thanks to Mike Simkin for the tipoff. Flipbook fans should check out flipbook.info, and note that there will be some kineographic action at our Flummoxed event on 3rd July.